Archive for December, 2008

: Kinkead Contemporary Presents an Exhibition by Lester Monzon

Wednesday, December 31st, 2008

Kinkead Contemporary Presents
Do Not Alter
An Exhibition by Lester Monzon

December 30, 2008– Kinkead Contemporary is pleased to announce Do Not Alter, an exhibition by Lester Monzon. The exhibition opens Saturday, January 10th with an opening reception from 6-8pm and runs through February 7th.

 

Press Preview and VIP event
Friday, January 9th from 6-9pm
Kinkead Contemporary
6029 Washington Boulevard
Culver City, CA 90232
310 838 7400

Lester Monzon at Kinkead Contemporary Gallery
Lester Monzon
Kinkead Contemporary Gallery
Hot Buttons, 2008
Acrylic on linen
12″ x 15″

Lester Monzon at Kinkead Contemporary Gallery
Lester Monzon
Kinkead Contemporary Gallery
Luck of the Draw, 2008
Acrylic on linen
9″ x 12″

Under the guise of pursuing abstract painting, Lester Monzon is actually a representational painter. What he represents are images of abstraction. He is not the first painter to follow this path. Rather, he comes from a rich, if somewhat recent tradition.

Like the Brushstroke series of Roy Lichtenstein, Monzon’s brushstrokes are not passionate bursts of expression the way the work of Franz Kline may be; they are calculated and highly rendered images of brushstrokes. Monzon’s work shares this same intellectual approach even though it may appear to be lush and expressionistic. Monzon’s brushstrokes are not traces of impassioned gestures – they are fetishes.

Monzon began his career painting textile patterns – stripes and plaids from his own collection of shirts and boxer shorts. From the outset, he was walking a line between dutifully representing his world and simply pursuing hard edge abstraction.

His new work presents the viewer with a double layer: the background is hard-edged, reminiscent of the work of Brigit Riley, or in some cases an overt tip of the hat to Gerhard Richter, although the patterns are now beginning to break apart, becoming less regimented or predictable. Floating slightly over this ground so as not to produce too great a depth, are his rendered brushstrokes. Now and then these strokes fall under the background like a weaving in a textile, which is where the work began. And perhaps for the first time we begin to see real abstraction, a real brushstroke here and there, painted almost transparently as if hiding in plain sight.

Kinkead Contemporary is a contemporary art gallery dedicated to emerging artists. Founded by John Kinkead, the gallery’s mission is to introduce new voices through an ambitious series of solo and curated group exhibitions.

For more information on Lester Monzon, please contact John Kinkead at Kinkead Contemporary, www.kinkeadcontemporary.com.

For all press inquiries and to RSVP to the opening, please contact Cara Morrissey at Ballantines PR.

Essay by Wendy Adest

Contact:
Cara Morrissey
Ballantines PR
Cara@ballantinespr.com
Tel: 310 454 3080
Cell: 310-499-3033
Ballantines PR
http://www.ballantinespr.com

Brand-Aid: Budget PR to the Rescue with BPR Blue

Monday, December 22nd, 2008

Ballantines PR

Brand-Aid:
Budget PR to the Rescue with BPR Blue

December 18th, 2008– With 2009 heading towards a deeper darker recession, Ballantines PR is doing their part to boost struggling and emerging brands with their brilliant new division, BPR Blue!

The new BPR Blue division is designed to give a low cost short term PR Blast to a small, select number of worthy companies that with the right PR support have the potential to move past this recession and grow exponentially.

Ballantines PR is a boutique agency based in Los Angeles, with satellite offices in London, New York, Santa Fe, Shanghai and Beijing. The company is known for their more than 75 years of collective experience in luxury travel, leisure, entertainment and consumer PR sectors, which has provided full service PR through their fully established Pink Luxe Division.

According to Ballantines founder and president Sarah Robarts, “Small businesses are the most vulnerable in tough times like this and yet history shows that companies that increase their PR and marketing during recessions have been able to achieve exponential growth at the point of the recovery.”

Recognizing that budgets have tightened for full service public relations and branding campaigns among small and emerging companies, Ms. Robarts is choosing to leverage her firm’s success and skills to fill the void and help take a limited number of smaller underserved companies to the next level with a high quality, low cost alternative.

The budget service will include preliminary consulting with the fully experienced BPR Blue staff resulting in the writing, formatting, distribution, and search engine optimization for one press release per month. The limited but powerful service will be offered at a very reasonable $2,500 per month.

Ballantines PR President, Sarah Robarts says, “This is the time when public relations is the most crucial. In fact based upon history, PR is the key not only to survival but to post recession success.

With a fixed price of $2500 per month, BPR Blue is a truly affordable necessity. We are doing our best to respond to the financial pressures facing many small companies that still need an important and powerful presence in the media.

In a time of discord, differentiating and broadcasting your brand through the media can make all the difference.”

BPR Blue is taking on a limited number of clients, to inquire further, please contact Cara Morrissey at Ballantines PR.

Cara Morrissey
cara@ballantinespr.com
Tel: 310 454 3080
Cell: 310 499 3033
Ballantines PR
http://www.ballantinespr.com

Ballantines PR

Aaron Speiser Coaches Will Smith in Preparation for Seven Pounds

Monday, December 22nd, 2008
Aaron Speiser Studios
Aaron Speiser Coaches Will Smith
in Preparation for Seven Pounds
 

Behind-the-Scenes Acting Techniques Revealed! 


Aaron Speiser,
Acting Coach and Owner of
Aaron Speiser Acting Studio

Aaron Speiser

Los Angeles, CA (December 18, 2008) Aaron Speiser, renowned Acting Coach and Owner of the Aaron Speiser Acting Studio in Los Angeles, has been training and coaching Will Smith for over six years. Aaron helps A-list actors by bringing his vast experience and depth of knowledge of the craft of acting in a simple, straightforward, practical, and inspirational way. In Will Smith’s recent movie, Seven Pounds, Aaron used some useful acting techniques in prepping Will for his role as Ben Thomas.

Put on the “Maschera!”
Playing an IRS agent with a fateful secret, Will Smith’s character embarks on a journey of redemption by changing the lives of seven strangers. To translate the emotions of a guilt-ridden and depressed character onto the big screen, Aaron worked with Will in using the concept of wearing “masks.” The purpose of wearing a “character mask” was to allow Will to cover the pain that his character was feeling so that everyone could relate and trust him. This “mask” also allowed Will’s character to function rationally and seem normal in the real world even though he was not totally rational and normal in his plans.

According to Aaron Speiser, “Seven Pounds director, Gabriele Muccino, liked the concept of Will putting on a mask so much that he would often shout out in Italian before a take, ‘Will, maschera…please use the maschera!’ Maschera is Italian for mask.

Creating Ben’s Back-story
Another interesting technique that Aaron and Will used was to create an extensive and detailed timeline and back story for his character. “We found that the more precise and detailed his autobiography was, the easier it was for him to create this complicated human being in the present,” says Acting Coach Aaron Speiser. He would often pepper Will with questions about his past to test and challenge him.

Ruin the Take
When asked recently at a Q & A screening what were the most important facts to share with other actors in creating his performance for Seven Pounds, Mr. Smith said, “Aaron taught me two major concepts. One was fearlessness and the ability to be fearless in a take… The other was to think of my performance as jazz.”

When one feels fear one becomes inhibited. Will went on to explain, “If I felt fear, he [Aaron] taught me to go out and ‘ruin’ the take (by doing something funny or inappropriate) to eliminate the fear. After that, I was free to do anything I wanted or needed to do. This gave me the strength to be fearless and create something fresh, original, and dangerous without any inhibitions.”

Jazz Player
In relating his performance to playing jazz music, Will interpreted the lines from the script as he felt them in the moment. He would live and play as jazz players do in their interpretation of classical tunes. By also letting go completely and being free in the moment, he let the director create the final performance.

Will is always eager to excel at everything he does, which also means pleasing the director with his performance. “It’s a great measure of what kind of person he is,” says Aaron. “But, great acting is dangerous because it means that you have to let go of the urge to please all of the time.”

Luckily, critics and fans are taking notice of Will Smith’s hard work in this film. Aaron believes that Will has taken the role of Ben Thomas into darker places than he had before. “He has reached real depths as an actor. His work in ‘I Am Legend’ is amazing, and his emotional vulnerability in ‘Seven Pounds‘ is far beyond anything he’s accomplished before.”

Seven Pounds is scheduled to be released on December 19, 2008.

Further information about Aaron Speiser and the Aaron Speiser Acting Studio can be found at www.aaronspeiser.com.

Media inquiries about Aaron Speiser may be directed to:

Erika Maya
erika@ballantinespr.com
Tel: 310 454 3080
Cell: 310 850 0309
Fax: 310-943-1978
Ballantines PR
http://www.ballantinespr.com